![]() ![]() Though placed at the start of this exhibition, they mark the end of his brief embrace of traditional photography. “The images say more about me desperately wanting to be a photographer than they do about Poland,” says Gill. With their monochrome tones and quiet observational style, which nod to masters of the form including Robert Frank and Sergio Larrain, they are the closest the show gets to straight documentary. The earliest series here is also the most uncharacteristic: a selection of black and white photographs he took in Poland between 19. “Photography is how I articulated myself, responded to the world around me, and got rid of my excess energy.” “Even though I feel I have exhausted photography, I am also so grateful to it,” he says, intimating that this survey show, which was four years in the making, may be his last. It is also a journey into the mind of someone for whom photography was a form of immersive, even therapeutic, self-expression. In a way, the exhibition possesses the energy of the breakdancer and the nerdy inventiveness of the scientist. It came, he says, as a huge relief given how burnt out he felt by then because of his relentless compulsion to make more work.Īs a teenager in Bristol, Gill was drawn to the nascent homegrown hip-hop scene that produced Massive Attack, Tricky et al – “I used to breakdance in legwarmers outside Snappy Snaps” – but was also “obsessed with microscopes and the mysteries of pond life”. Back then, he attended “special lessons” and it was only in 2017 that he was diagnosed with ADHD (attention deficit hyperactivity disorder). In his schooldays, Gill’s imagination was so active and his inattention so acute that he was not allowed to sit next to a window lest his mind wander outside the classroom. These are just some of the solid reasons why working with us will take and keep you at the top of this industry.A different type of wildness … a portrait from The Pillar in which birds perch, preen and land on a wooden stake. Our continuous efforts to create the finest images has allowed us to bag multiple awards, including the “Best Multiple Mini Lab Chain” award from Pixel magazine. Many of our franchisees earn in excess of £50,000– £100,000 per annum, all by working in their local area. ![]() We have specialised graphic designers, state of the art printing devices, and warm employees with great creative instincts. You’ll get to operate with a well-established and flexible brand in a market that demands for diversity. We cater to families, loving couples, art enthusiasts, hobbyists, and even businesses. With over 120 locations around UK, we are easily the country's favourite photographic services franchise. From photo albums, to film and canvas printing, to creating personalised products, to commercial image designing we have mastered it all! It does not matter if the market demands for images created by newer technology, because Snappy Snaps can create any image you want. ![]() From a simple film developing store, we have become a one-stop-shop for all your photographic needs. Instead of shutting down -like other rival brands- we did what we do best, we recreated our image. With the emergence of digital photography and easily available photo editing software, there has been a decline in the demand for film developing. ![]()
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